Best Tom Mics - Mic Stuff

Welcome to the Best Tom Mics, I am Hammad Musician and a Singer, me and my mate Islam Zemer who is also a team member of Mic Stuff have tested the above tom mics multiple times in different events and projects. we also tested a few of them as Tabla, which is famous in Asia Music Industry.

This article is designed to help you find the best microphones for toms. For each type of drum, we’ve included the best mics for that drum as well as other similar models so you can choose your perfect tom mic setup.

If you’re not sure what kind of drum you have, check out our article here on How to Identify Different Drum Types.

There are plenty of options on the market for mics for toms, not all microphones were created equal and will produce different sounds depending on the drum Microphone Chart:

The best mics for recording drums (overheads and ambience our needs. We’ve made an effort to include a collection of performers in every price range that we hope will provide some guidance and inspiration for your decision-making process.

We’ve also included what we think is the best tom mic for each type of drum, but if you’re looking for something different, be sure to check out the other similar models on the list as well!

Microphone Types for Drums:

So when choosing your mics, there are three categories you can choose from:

1) Lavalier Mics for single drums (one mic to rule them all!)

2) Two (or more) conventional mics on one drum (if possible).

3) One or two conventional mics for the whole kit.

Here in this article, I am just covering the professional tom mics or the best tom mics, not lavalier microphones.

1. AKG Pro Audio C414 XLII

AKG Pro Audio C414 XLII is the best tom mic

Best tom mics, AKG C414 XLII is a versatile microphone that can be used for many applications: Vocals, percussion, or instruments like piano and guitar. It is affordable enough to be used in home studios too – if you have a little more space than the average studio, that is.

The AKG C414 XLII is a condenser best tom microphone with four polar patterns (omnidirectional, cardioid, Hyper cardioid, wide cardioid, figure-8) and two frequency responses. Quite similar to the previous model – the C 414 B-US.

AKG Pro C414 XLII Design, Features, Specifications

Build Quality and Design: The AKG C414 XLII is one of the best large diaphragm condenser microphones that you can buy for professional studio use. It employs one 1-inch (25mm) diaphragm,

which has a gold-plated centre-terminated 6-micron mylar membrane and brings an enhanced sonic clarity and a smoother top end to your recordings.

The AKG C414 XLII is very uniform and accurate, and the internal design minimizes internal resonances and standing waves in the microphone body.

Switchable Pads: In addition, this microphone features an integral 80 Hz hi-pass filter and a 10 dB attenuation pad. It has a 2-position low-frequency switch for an enhanced bass sound or flat response.

spider-style shock mount: The AKG C414 XLII ships with a spider-style shock mount that holds the mic firmly in place and reduces mechanical noise by isolating it from the stand or boom. The design of this shock mount is very well thought out and makes fine.

Best Tom Mic: The C 414 XLII is a fantastic mic for acoustic guitars, providing clear and accurate sound reproduction with a lot of warmth. In addition, its low noise level makes it a good choice for recording in the same room as the instrument too.

What is the box? The box includes a spider-type shock mount, rugged carrying case, mic cable, and user guide/warranty information.

AKG Pro Audio C414 XLII Specifications:

Polar Pattern: wide/hyper Cardioid, Omni, Figure 8 (Switchable)
Frequency Range: 20 – 20.000 Hz
Sensitivity: 23mV/Pa (0 dB = 1 Pa, 1 kHz)
Impedance: 200 Ohms
Equivalent Noise Level : 88 dB-A Weighted
Max SPL : 140 dB
Pads: -6dB, -12dB, -18dB
Power Source: 48V Phanthom Power
Connectivity: 3-pin XLR output

Conclusion: C414XLII is a great-sounding tom microphone. That’s pretty much a given for any AKG product, and the XLII doesn’t break rank in this regard. It sounds fantastic on vocals, acoustics, bass guitar…pretty much anything you can throw at it. 9 switchable polar patterns are the great feature of this microphone, it could be used as a multiple purpose mic, C414XLII is a little more pricey than the other tom mics it could be a con for you.

2. Sennheiser E604-Best Tom Mics

Sennheiser E604 is the Best Tom Microphone

Today we are going to review another best mic for the toms, Sennheiser E604 is the best tom mic.

The Sennheiser E604 microphone review for percussion is not only important because it is part of the best drum microphones collection, but also because it can become an interesting choice for other purposes that may benefit from its good performance.

Sennheiser E604 Design, Features, Specifications

Design and Build Quality: The Sennheiser E604 is a small-diaphragm cardioid condenser microphone, with a low mass capsule design and a shock-mounted capsule to protect against handling noise.

Sennheiser E604 has a nice built quality with a Rugged reinforced glass fiber body. The sturdy construction and integral windscreen ensure high reliability under harsh conditions.

Easy to handle or Carry: The Sennheiser e 604 is very robust, yet easy to handle, featuring a low weight of 60g that guarantees fatigue-free operation during long performances.

Other features: Its frequency response is from 40 Hz to 18 kHz, which makes it suitable for most types of instruments and guarantees powerful, natural sound reproduction.

Features a dynamic cardioid capsule with E 604-shaped housing featuring an integral windscreen, which ensures isolation from ambient noise.

Best Tom Mic: The Sennheiser e604 is Ideal for drums/Toms, percussion instruments, guitar amplifiers, and more applications in small- to medium-sized performance venues.

It provides excellent sound quality and very low feedback, even in loud stage environments.

The microphone has a cardioid pick-up pattern that minimizes unwanted signals from the side and rear, ensuring high gain before feedback when performing at larger events with high sound pressure levels.

Sennheiser e604 Specifications:

Polar Pattern: Cardioid
Frequency range: 40hz-18khz
Weight: 60 grams
Sensitivity: 1.8 mV
Integrated, tripod mount
Connector: XLR
Power: Required 48V Phantom power

Conclusion: The Sennheiser E604 is an ideal tom mic, comes under the Best tom mics. With its ability to handle a high SPL, linear frequency response, and tailored frequency range, Sennheiser E604 will satisfy most budgets and can be used as a first-choice drum mic for many engineers. However, some drummers are not keen on the bright sound of this microphone and may prefer something with a more linear frequency response.

3. Shure SM57-LC

The Shure SM57 is an industry-standard cardioid dynamic instrument microphone. It has been used for decades as a performance vocal mic and as a snare drum, tom-tom, and brass instrument mic as well as many other applications.

The Shure SM57 is one of the most popular microphones in the world. It has been used by musicians, sound engineers, and producers who need to record all kinds of sounds.

SM57 Design, Features, Specifications

Design and Build Quality: SM57 is very similar to the SM58 mic, The Design of this tom mic is the chromed grille of the Shure SM57- LC features a screen-printed logo and the cardioid polar pattern symbol to identify the microphone at live gigs.

It has the same design as its more expensive sibling, but it lacks its rugged construction.

Shure SM57-LC uses the same cartridge shock-mount system. The microphone’s body has an on/off switch that is very convenient during live gigs, and its connector uses a standard XLR configuration that can be plugged into most mixing boards.

Available Colors: The Shure SM57-LC is available in several colours, so it can light up on stage with different colors. For instance, it comes in blue, pink, black, and silver finishes.

The Slimed Finish version of the microphone uses a slimmer grille that snaps into place to give it an uninterrupted look.

Sound and Frequency: It is a unidirectional microphone that can capture sounds in front of it while minimizing background noise. It uses an internal shock mount that cuts down handling noise, which is important in live recordings.

The microphone has a frequency response of 40 Hz to 15 kHz. It features an on/off switch in the body for ease of use during live shows, and it has a standard XLR connector that can be used with most mixing boards.

Power: The power requirement of the sure SM57-Lc is 48V Phantom power, with XLR Cable connectivity, Output of SM57-LC is 3-pin XLR

Ease of use:
Using the 57 as a kick drum mic is actually very easy. You can use it in one of two ways:

1. Place the mic inside the drum pointing at the beater head with the grill facing out, this way you get more attack and less thud from the beater hitting the batter head.

2. Place the mic just outside the drum pointing at the beater head with the grill facing in, this way you get less attack and more thud from the beater hitting the batter head.

Best Tom Mic: Shure SM57-LC is the Best and Ideal Tom mic for the instruments, the Best Choice for the instrument recordings, sound masters, mixers, especially for those who want to use it as a tom mic.

Not Ideal For: Not Ideal For the vocals and other vocal recordings, as it is a Dynamic microphone, not a condenser would not work well to record a quality sound,

Shure SM57-LC Specifications:

Polar pattern: Cardioid Polar Pattern
Frequency range: 49hz to 18khz
Sensitivity: -56.0 dB/PV
Microphone Type: Dynamic Mic
Impendence: 150 ohms.
Output or Connectivity: XLR 3-Pin Connection
Power: Required 48V Phantom power

Conclusion: Comming to the final conclusion, Shure is a well know brand for its quality products, especially microphones. Shure SM57-LC is the Best microphone for the toms, Best for the instruments recording, toms/drums, and other sound instruments, it is a dynamic microphone not best for the voiceovers and vocal recordings, It also comes under the list of best tom mics.

4. AKG D112 MKII – best mic for tuba

Hey Guys, Today we are going to review another best tom mic, that comes under the list of the best tom mics. It is also the best mic for tuba, There is no lack of heavy-duty kick drum mics on the market, but sometimes you need a smaller footprint to gain access to tight spaces or less-than-ideal positions.

No Doubt AKG is a well-known famous brand in the market, for its quality sound products, microphones, etc.

AKG D112 MKII is the best tom mic and best mic for tuba, The mic is an improved version of the AKG D112, highly recommended for the instrument recordings, Today we are going to review its Features, specifications pros, and cons below.

AKG D112 MKII Design, Features, Specifications

Design and Build Quality: Mic is built perfectly for loud environments, The build quality is fantastic as you would expect from an AKG Product with a metal body and nickel-coated jack connecter to resist wear.

It has an integrated flexible mount that makes it even more versatile.

The D112 MkII might be small in stature (5″ long), but it delivers the powerhouse punch and presence of its larger kin, making it a fine choice for big-sounding bass drums.

Power: D112 best mic for tuba, requires a 48V of Phanthom power, with XLR Cable connectivity, it has a 3-pin XLR output option.

Easy to USE: It’s also super easy to use: simply slide the two “wings” that are integrated into the body back and forth to open and close the basket grille and use the bass drum mount to attach and position the mic.

Frequency Response: The mic is an improved version of the AKG D112. It’s equipped with a new larger FET at its front end, in order to give it, even more, gain before feedback. And, with the wider frequency range (20 Hz – 17 kHz), it has already become very popular among working drummers.

Comes with: It comes with a cable and clamp for mounting, making it ideal for live sound applications. The mic comes equipped with a versatile metal swivel mount that can be attached directly to the rim of your bass drum or snare stand.

Other Features: The best kick drum mic ever made? Almost certainly! High sound pressure level (SPL), Unmatched low-frequency response, and Robust steel grill with integrated pop filter for excellent isolation from the drum shell and other on-stage sound sources.

Best Tom Mic: AKG D112 MkII is the best tom mic under the best tom mics list, great for drums, bass guitar amps, and other instrument recordings, It is also the best mic for tuba, In comparison to other bass microphones, the MKII has a more modern sound. Designed to handle a lot of vibrations and high sound pressure.

AKG D112 MkII Specifications:

Frequency range: 20 Hz to 17 kHz
Polar Pattern: Cardioid
Connecter: 3-XLR pin
Capsule: Dynamic Microphone
Power: Required 48V Phantom power
Electrical impedance 210 ohms
Recommended load impedance ≥ 2000 ohm

Conclusion: The AKG D112 is a high-end piece of gear that any sound engineer would be proud to own. Very Hard to get better options than MKII if you’re looking for a high-quality cardioid mic. You can get the best recording results by properly positioning it. You can concentrate on the sound your instrument makes while significantly reducing background noise. As a result, the D112 is a good choice for live performances and rooms that haven’t been treated. Make sure your mic is in the right spot and our cardioid microphone will take care of the rest. We hope you enjoyed this AKG D112 review and that it has made your next purchase a little bit easier.

5. Sennheiser E609 Silver

Sennheiser E609 Silver is the best drum mic

The Sennheiser E609 Silver is a great choice if you are looking for a mic that sits in front of your bass drum. with a tight pickup, the pattern reduces bleed into the overall drum sound, which means you will get more definition from your bass drum tracks. And to top it off – it’s pretty affordable.

The E609 is ideal for bass drum recording in small to medium-sized rooms where bled from other instruments must be kept to a minimum. Suitable for larger rooms when used with high-volume input signals.

Design, Features, And Specifications

Now here we are going to review the E609 tom mic, Design features, specifications along with Pros and cons with a researched base conclusion below.

Design and Build Quality: Sennheiser E609 Silver is built with a rugged metal body, tough enough to withhold the weight of the mic. Nice matte finish so it doesn’t attract fingerprints too much. Screws are also very well built, none what’s loose or wobbly.

Gain control on the body of the microphone enables attenuation of signals to mic-stand levels. The Integrated pop-protection grille is optimized for speech intelligibility and minimizes plosive sounds while reducing wind noise

E609 is a silver-coloured metal tube with a black grid at its end. It’s short and stout, making it look like the kind of instrument you’d see standing on top of a stack in an old factory.

Sound Quality: The sound quality of E609 Silver is actually really good for the price you’re paying. It has a nice bright and crisp output, which makes it perfect for recording guitars, drum overheads, or even toms with. It doesn’t color the sound too much either.

Power: E609 Silver requires Phantom power, powering via Gold-plated 3-pin XLR connector (48V) with internal switch-mode power supply for noise-free audio and increased clarity

Best tom mics: Probably, tom mic comes under the list of, Best tom mics Ideal and best for the drums, and other musical instrument recordings, both for recording and live performance.

Sennheiser E609 Specifications:

Frequency response: 40hz-18khz
Sensitivity: 1.5 mV/Pa
Connector: XLR-3
Power: Phantom Power 48V
impedance (at 1 kHz) : 350 Ω/oms
Polar pattern: Super-Cardioid
Type of Microphone: Dynamic

Conclusion: If you are looking for a bass drum microphone that sits in front of your bass drum, then the Sennheiser E609 Silver should be at the top of your list. I think it’s one of those mics you’d want to have as your first studio microphone. The sound quality is great for beginners, and it’s really affordable as well. The only disadvantage I can see with E609 Silver is that it doesn’t come with any kind of shock mount or other accessories, which means you’ll need to buy those separately. In conclusion, I recommend this microphone to any beginner in recording/audio production.

6. AKG PERCEPTION P170 – Best Overhead Drum Mics

bP170 is the one of the best overhead drum mics

Hi Guys, Hope you are getting valuable reviews here on Mic Stuff, Now we are going to review another best mic for toms AKG P170, which AKG P170 has titled a High-Performance Instrumental Microphone and comes under the best overhead drum mics.

The P170 is a condenser microphone with a small-diaphragm for recording overheads, percussion, acoustic guitars, and other strings. which comes as a part of the “Perception” series by AKG.

This general-purpose small-diaphragm microphone, based on AKG’s decades of experience and feedback from sound professionals across the world who use AKG studio microphones every day, provides AKG studio quality to the realms of recording, live sound, and broadcasting.

This review covers the basics of how this microphone sounds, its features, specifications pros and cons, and what you can use it for.

AKG P170 Design, Features, And Specifications

Here we are going to review the AKG perception P170 Design, built quality, other features, and specifications along with the pros and cons of the AKG P170 with Final Conclusion points for your better guide which will help you.

Design and Build Quality: Talking about the design and built quality of the AKG P 170 microphone here, It has a Rugged All metal body, The all-metal body reduces RF interference, allowing you to use the microphone in close proximity to transmitter stations and with wireless microphones or other communications equipment.

The microphone is protected from damage on stage by its exceptionally durable, thick body and sturdy front grill.

When we say, best overhead drum mics, The PERCEPTION 170 is a tough, heavy-duty true condenser microphone manufactured to the same high standards as all other AKG products.

Gold-sputtered diaphragm: Even at extremely high sound pressure levels, the diaphragm is composed of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode.

Power Requirement: Almost all the best tom mics require the 48V of phantom power for connectivity, P170 also requires 48V Phantom power, with an output of 3-Pin XLR

Cardioid polar pattern: Noises coming from in front of the microphone are the most sensitive, whereas sounds coming from the sides or back (from monitor speakers or surrounding instruments) are picked up much less. As a result, the microphone is equally at home on stage as it is in the studio.

Switchable pre-attenuation pad: Increase the headroom by 20 dB with the pre-attenuation switch (1) on the microphone rear (see fig. 1) for distortion-free close-in recording.

The pre-attenuation pad protects the microphone’s output level from overloading the small transformers used in various mixer input stages, etc., especially at low frequencies.

High volume Drums or Instruments: This microphone can be used to record really loud instruments up close (brass instruments, kick drum, etc.). Set the pre-attenuation switch to the “-20 dB” setting with a pen or other pointed object.

The pre-attenuation pad is activated, allowing the microphone to tolerate sound pressure levels of up to 155 dB.

Low-frequency noise: Check whether your mixer has high pass filters on the microphone channels for noises like air conditioning rumble, footfall noise, or traffic sounds. If this is the case, activate the appropriate highpass filter.

Best Mic for toms: AKG Perception P170 is the ideal and best tom mic for the Instruments, especially for the toms/drums. AKG has designed this mic for the instruments, it is a true cardioid tom mic.

AKG P170 Audix D6 Specifications:

Polar Pattern: cardioid Polar Pattern
Frequency Range: 20hz-20khz
Max. SPL: 135dB
Signal/noise ratio: 73dB
Connector: 3-pin XLR (pin 2 hot)
Power: 48V Phantom Power
Output Impedance 200 ohms
Sensitivity -15 mV/Pa
Pads: -20dB

Conclusion: I consider the Perception 170 to be a fairly priced tom mic for what it does. It comes under the list of best overhead drum mics. p170 could be used for multipurpose, but the AKG-Company, Designed this mic for instrument purposes. For those who didn’t follow the review, I’ll say it again. New AKG Perception 170 is a step forward compared to its predecessor – and more so if you look at its price tag of around 100 bucks, which makes it an easy recommendation.

7. Shure PGA56-LC

The PG56 is the Shure brand mic that comes under the Altra microphone category of the Shure microphones, Cardioid Dynamic Snare/Tom Microphone is a high-quality microphone with a long-lasting design and construction that produces great sound.

The PGA56 is designed for close-mic snare drum, tom, and percussion applications and features a swivel joint with a quick-release latch for easy and flexible positioning.

PGA56 Design, Features, And Specifications

Today we are going to review the PGA56 microphone, Its design, built quality, features, and specifications, with its PROS and CONS and a final summary

Build Quality and Design: The PGA56 is a professional quality snare/tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence.

It can be quickly attached to drum rims thanks to the supplied drum mount, which eliminates the need for an additional mic stand. , this microphone comes with a zippered carrying pouch For further storage and security.

A swivel joint with a quick-release latch for incredibly rapid and easy positioning, comparable to bicycle component-locking technology. And a customized cartridge for clear sound reproduction is two further design characteristics.

Shure’s legendary quality construction ensures great performance in even the most demanding settings.

Right Place to Mic: Unwanted sound sources, such as monitors and loudspeakers, should be placed precisely behind the microphone. Always evaluate microphone location before a performance to reduce feedback and ensure optimal rejection of unwanted sound.

Best Mic for Toms: Shure PGA56 is the best tom mic, designed for the toms/Drums and Ideal for high impact, high SPL sound sources. The best option for the drummers, sound Engineers/designers, etc.

Shure PGA56 Specifications:

Frequency Range: 50hz-15hzk
Power: 48V Phantom power
Polar Pattern: Cardioid
Output Impedance: 200 Ω
Sensitivity: -57 dBV/Pa
Connectivity: XLR 3-pin

Review of One Drummer: “I’ve been a drummer for more than 40 years, so I think I have the experience thing covered Over the years I’ve tried different mics and this one is ideal for toms or snare drums, It is low and compact design makes it easy to find a home on any drum, especially the snare where space is limited, And with a 90-degree XLR cable, it tucks away nicely”

Conclusion: The PGA56 dynamic microphone, an economical choice for capturing snare drums, toms, and other high-impact sound sources, offers Shure quality and value. Organize a group of people to help you outfit your drum kit at school, church, or in your rehearsal space.
The snare drum has the potential to be the foundation of your drum kit, you must ensure that you have the proper microphone to record it. The items mentioned above will be a fantastic match.

8. Sennheiser e602 II-best tom mics

sennheiser e602 is best mic for the toms

Today, Here we are going to review another best tom mic Sennheiser e602 II. The inexpensive e602 II might be the best entry-level drum-mic package on the market.

Low cost, high performance, and excellent durability are just a few of the notable features that set it apart from any other comparable drum-mic kit I’ve seen.

Drum mic pack in action for four years in dozens of different venues, I can say without reservation that it covers the gamut of applications you will likely encounter when working with a vocalist or band.

Relatively modest cost means you won’t have to choose between mics if your application requires more than one pick-up pattern for recording overhead drumset sounds.

Sennheiser e602 II Design, Features, And Specifications

Now we are going to review here about best tom mic Sennheiser e602 Microphone Features, Design and build quality along with specifications, Pros, and CONS

Build Quality and Design: Diaphram of the E602 II microphone is larger, built with a lightweight, and durable aluminium body that is ideal for use in both live sound reinforcement and studio sessions.

The use of an aluminium body reduces the mic’s weight, which was done on purpose to make it easier to mount at the end of a boom arm reaching into a kick drum.

The microphone’s low-noise output is aided by a lightweight high-performance voice coil and an integrated hum-compensating coil.

Frequency and Polar Pattern: Tom Mic, E602 II has a much deeper mid-frequency scoop than the original, as well as a narrower and stronger HF boost. In contrast, the II’s low frequency is broader, with more LF extension.

Its polar pattern is cardioid (meaning it “hears” what is in front of the microphone, and rejects sound coming from elsewhere) with a frequency response range of 20Hz-16kHz.

Its Sensitivity (free field, no load) is 0.9 mV/Pa (at 50 Hz) 0.25 mV/Pa (at 1 kHz). The housing of the e602 II is built from a combination of steel mesh and hard plastic. it requires 48V Phantom power for connectivity, with XLR Cable.

Best Mic For Toms: E602II is the best tom mic and is ideal for the Bass drums, bass guitar cabinets, tubas, toms, and other low-frequency instruments.

Sennheiser E602 Specifications:

Polar Pattern: Cardioid
Frequency range: 20hz-16hzk
Sensitivity: 0.9mV
Connector: 3-pin XLR
Impedance: 350 Ω
Transducer principle dynamic

Conclusion: Final Conclusion of Sennheiser e 602-II is a cardioid dynamic instrument microphone, considered as the best tom mic, that captures deep, powerful bass that you can feel rather than just hear. It’s ideal for bass drums, bass guitar cabinets, tubas, and other low-frequency instruments. Not Ideal for the vocals as it’s a dynamic mic, not the condenser mic. This is specially designed for the toms/Drums and other instruments. Would be the best choice for you.

9. Audix D6-Best Tom Mics

In the End, Finally, we are going to review the Best Tom mic, which comes under the category of best tom mic Audix D6 mic.

The D6 dynamic instrument microphone is designed for use on stage, in the studio, and in the broadcast.

Best Tom mic Audix D6 is the best tom mic, its design is also similar to the drum, which also shows that it is designed for a specific purpose, or in other words, we can say it’s the mic for toms.

Audix D6 Design, Features, And Specifications

Now we are reviewing the Audix D6 tom mic design, its features specifications with Final product summary along with Pros and Cons.

Design and Build Quality: Audix markets its D6 as a working man’s kick drum mic, but it works beautifully as a bass cabinet or even an overhead drum mic. The D6 is clearly designed for live sound work.

The Design of the Audix D^ is similar to the drum shape at 4.6 inches in length. Audix D6 is Built with Aluminium material.

Frequency and Polar Pattern: The Audix D6 has a frequency response of 30Hz-15 kHz and its sensitivity is -0.8 mV / Pa @ 1k (Maximum SPL ≥144 dB). It has a Cardioid Polar Pattern, The cardioid polar pattern rejects off-axis noise and ambience caused by additional instruments, monitors, etc.

What’s in the Kit: Audix D6 comes with the XLR Mic Cable XLR-M to XLR-F, Audix D6 Instrument Microphone Carry Pouch, and Mic Clip. The mic’s internal shock mount eliminates handling noise.

Best Mic For Toms: Audix is also a known brand in the market for its sound products, Especially microphones.

Ideal for the toms, and other instruments, also best for the live performances. Ideal mic for the sound engineers and drummers. Works beautifully as a bass cabinet or even an overhead drum mic.

Tom Mic Audix D6 Specifications:

Type: Dynamic microphone
Frequency Range: 30hx-15khz
Polar Pattern: Cardioid
Power: 48V Phantom Power
Connectivity: 3-pin XLR
Sensitivity: -0.8 mV / Pa
Max-SPL: ≥144 dB
Output Impedance: 280 Ohms
Off-Axis Rejection: 20dB

Conclusion: Yes, You won’t find a better deal on a clear and powerful kick microphone for your own recording than the Audix D6 Dynamic Microphone. D6 is a high-quality professional dynamic microphone that is rugged and well built. The sound quality of this mic is excellent and allows for many different applications such as vocals, drums, guitar cabinets, and amplifiers. I would highly recommend the D6 as a great addition to an existing mic locker, or as a first purchase for drummers and home studio owners.

For More Posts Visit


Amazing Sound Quality	Expensive for some
Best for Drums and other instruments	Changing the polar pattern could be a hard job.
Nice Built Quality
9 Switchable Polar Patterns
Multi-purpose mic
Comes in a solid metal case


Great value for the Price	Not ideal for vocals
Best for Drums and other instruments	Single polar pattern
Nice Built Quality
Amazing Sound Quality
Easy to use


Great value for the Price	Not ideal for vocals
Best for Toms and other instruments	Needs 48V Phanthom power to Run
Solid Built Quality
Amazing Clear Sound Quality
Easy to use


Solid Built Quality	Not ideal for vocals
Best for Toms and other instruments	Needs 48V Phanthom power to Run
Great Value for the Price	To avoid off-axis coloring, proper mic placement is required.
Amazing Clear Sound Quality
Flexible Mount Integrated
Easy to use


Rugged metal body	Not ideal for vocals
Best for Toms and other instruments	Needs 48V Phanthom power to Run
Great Value for the Price	doesn’t come with a shock mount
Amazing Clear Sound Quality
Flat Front face design
Easy to use

Top Best Tom Mics in 2022 – Mic Stuff

Microphone Types for Drums:

1. AKG Pro Audio C414 XLII